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Last week we picked Richard Mosse's photo series "The Enclave" as one of the highlights for this year's Venice Biennale. The project, which is on view in the Irish Pavilion at the Biennale, depicts Mosse's time shooting the military conflict in the Democratic Republic of Congo in artificial but arresting pink shades. Frieze has an interview with the photographer about the special film he used, Kodak Aerochrome, which was originally developed to detect camouflage during World War II, and the origins of his trip to photograph "the unphotographable."