Facundo Pires' work doesn't have a singular aesthetic. But we think it's safe to say he's curious about errors. Visually speaking, his images reveal certain logic missteps, like a rainbow-colored fungus on a tree trunk or shadows that don't necessarily match their origin. But Pires doesn't just illustrate errors, he also causes them. To create his subjects he's been known to force inkjet printing jams, expose photos to the elements, and otherwise alter objects to photograph manipulated interruptions in his home city of Buenos Aires.
For Pires, the interruptions aren't just fascinating because they're disruptive by nature. Instead, he's interested in framing photos in temporary locations, like construction projects, to capture images he likely won't see again.