Justin Hopkins, who makes music and visual art under the name RareBit, created this series of drawings using only Micron pens, regular 8 1/2" x 11" computer paper, and a photocopier. He calls the series "Give Up The Headache," and with each image he explores a different relationship between the texture and color of his background and the static image of a brainy-looking skull. Hopkins calls the series an "experiment in Xerox and image layering" and we like the idea that some level of chance was incoporated to make such intricate images. By the way, that skull is actually somewhat of a recurring image in RareBit's work.
In addition to his drawings and music as RareBit, Hopkins also moonlights as a sound designer.
For some of us the aughties were all about the emergence, or re-emergence, of dance punk (summed up by James Murphy as "live drums and synthesizers") and no one did it better than DFA, the New York record label founded by James Murphy, Tim Goldsworthy, and the often unsung Jonathan Galkin. Directed by Max Joseph, the vid does a nice tidy job of summing up the label and its sound, artists, and attitude with brevity and a sense of humor—and also gives us a gimpse inside the label offices and studio.
From the same technology that is used to design buildings, Hot Pop Factory, the jewelry line known for its 3D-printed style, has produced yet another interesting collection. The Boreal collection is made with recycled cherry and polymer wood from the Boreal forest in Canada. The collection is as unique as the forest itself; the chain and closure on each necklace appear exceptionally delicate when paired with the bold design of the wood pendant. There are eight different styles available from $74-$98.
Folks who play with flowers for a living haven't always been on the radar of forward-thinking visual culture vultures—cue nightmares of the most expected arrangement in the whole world ever: stark red roses surrounded by the sweet white buds of baby’s breath. But when a group of young, cool, Brooklyn-based florists cropped up, it marked a sea change in the world of floral arrangement. Now, it’s becoming the norm to expect artful, inventive, overflowing arrangements and bouquets, often for magazine photo spreads, and sometimes for picture-perfect weddings. Our favorite of the bunch is Amy Merrick, who spends her time arranging overwhelmingly beautiful bouquets for both high-end events and favorite publications like Kinfolk (she was the mastermind behind the flowers-as-ice-cream shoot from the magazine’s latest issue.) She documents everything on her beautiful blog, which helps us feel a little more connected to visions of natural beauty, even while in front of a computer screen. And when she's not styling for editorial shoots, Merrick is imparting her skills to aspiring arrangers, teaching flower classes in Brooklyn and on a Washington state flower farm. Keep an eye on her blog and Twitter feed for updates.
Marvel at Merrick's portfolio online.
Ice cream flower photos by Parker Fitzgerald
Confessionals are inherently uncomfortable spaces. The very purpose of their existence, to allow parishoners to privately unload their transgressions to a member of the clergy—and God—is a tense and awkward premise. While modern places of worship have brighter and more inviting spaces to confess, the confessionals photographer S. Billie Mandle shot for her "Reconciliation" series come from classic church design: dark and intimidating spaces with dramatic light pouring through privacy screens. [via Wired]