Commercial Type's Berton Hasebe and Christian Schwartz have teamed up for Schnyder, a new serif display typeface for the 2013 redesign of T, the New York Times Style Magazine. While Schnyder is the sixth custom typeface they've created for the mag, it's the first they have co-designed.
Inspired by a piece of pointed pen lettering of Swiss origin, the typeface itself comes in two weights and three widths. Unusually, the stem weights in each weight are identical across the widths which allows the widths to mix freely in headlines, which will be fun for editors and designers. The lowercase version draws from turn-of-the-century German typefaces.
The type palette for T also includes Graphik and some styles from the X Condensed width. The text face is Imperial, the same found in the main NYT news sections.
Among the eight designers awarded the 2013 AIGA Medal are Jonathan Hoefler and Tobias Frere-Jones, also known as the typography studio Hoefler & Frere-Jones. The vid looks at recent works-in-progress, cruises through H&FJ’s offices and allows the designers to explain how they got into type, why they teamed up, and how they divide up the work making new fonts for new types of content. We found it surprisingly stimulating.
Families in developing countries, says Designboom, often use a system consisting of three rocks and a bundle of firewood to cook food at home. While the three-rock stove can be put together on a small budget, it only uses about 10% of the fire's heat for cooking. When the trip to get more firewood takes an entire day, conserving firewood is essential.
To create a more efficient stove, the designers at Claesson Koivisto Rune worked with families in Kenya to test prototypes and provide feedback at each stage of the design. They mimicked the function of the three-rock stove with a recycled aluminum structure that could concentrate the heat of the fire, and still use a families' existing cookware. The final product, the brightly colored Baker Cookstove, is manufactured locally in Kenya and distributed directly to villages.
In some cases, stoves are available for $29. A crowd-funding campaign is ongoing.
Even if Trevor Crump's photos didn't twitch and shake in animated GIF form, they'd still be impressive compositions. His Tumblr boasts GIFs of bands like Ty Segall, White Lung, and Yo La Tengo slightly moving mid-performance, and charmingly goofy backstage portraits of Bleached and Widowspeak and a ton of others. The limited movement in the GIFs works to Crump's advantage: the stereoscopic format doesn't distract from the photos, and gives the images some tasteful depth.
Follow Trevor Crump on Tumblr.
Kirra Jamison's modern paintings might seem a bit random, like cast-offs from a Matisse cut-out broken up, but they're actually created through a more intricate, inspired process. Jamison began with scraps of vinyl on the floor of her studio, arranged them into abstract collages and then screenprinted over them for the series "Total Control." For "Locomotor," she took the smaller prints and recreated them in acrylic. The effect is strangely pleasing to the eye even if it isn't even obvious that her creations are drawing from the material world.
"Arch" from "Total Control"